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*news from the label in the festival
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November/December
2002
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* new release
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A
Gaelic Blessing
Choir
of St Mary's Cathedral, Edinburgh
Matthew Owens
DCD34007

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The
Choir
of St Marys Cathedral, Edinburgh,
described by the Sunday Times as one of the UKs
finest cathedral choirs, is fast gaining a reputation
for the high quality of its performances and support of new
music. Their newest recording is released this month on Delphian:
A Gaelic Blessing (DCD34007), featuring works by eight
living composers alongside favourite sacred works of the nineteenth
and early twentieth century. Among those represented are Colin
Mawby, Geoffrey Burgon, John Tavener, David Goodenough, Arvo
Pärt, and John Rutter.
As a sonic snapshot from Scotlands only cathedral choir
school, the performance on A Gaelic Blessing impresses
the listener with startling depth. Simon Nieminski accompanies
the choir on the Cathedral's 1879 Father Willis organ. Contact
Delphian to order your copy!
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Brahms:
Geistliches Lied, Op. 30 (excerpt) (RealPlayer,
0.55MB)
*
listen

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Violinist
David Greenberg fiddles for Concerto Caledonia during recording
sessions.
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Delphian
continues to mine the soundtrack of the Scottish Enlightenment.
In October, sessions began with the Glasgow-based baroque ensemble
Concerto Caledonia.
The group, headed by Dr David McGuinness, explores the folksy colours
of Scottish concert music of the eighteenth century. The varied
programme they are working on for Delphian includes works by the
Scot Robert Mackintosh and the Italian-born Pietro Urbani.
One
of the distinguishing features of Concerto Caledonia's sound is
its unique amalgamation of period performance technique and traditions
of folk music imported from Nova Scotia (to purists, a centre of
auld Scottish music), all realised with the 'lost' art of improvisational
performances and cadenzas. Expect a heavy helping of excitement.
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*
artist profile
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| Delphian
Records was born out of John Kitchen's wish to record some
of the gems in the Russell Collection of Early Keyboard Instruments
housed in St Cecilia's Hall at the University of Edinburgh (Instruments
from the Russell Collection, DCD34001). A tireless performer,
scholar, and educator, John is Senior Lecturer and University Organist
at Edinburgh. He completed degrees at Glasgow University before continuing
at Cambridge to research 17th-century French harpsichord music, where
he was organ scholar of Clare College and studied with Dame Gillian
Weir. From 1976 until 1988 he was Lecturer in Music and University
Organist at St. Andrews.
For
many years, John played regularly with the Scottish Early Music
Consort as harpsichordist, organist and fortepianist, and he is
a member of several other ensembles. He also gives many solo recitals,
both in the UK and overseas.
He
records regularly for the BBC and has made many other recordings,
including the complete solo organ works of Bach's pupil, Johann
Ludwig Krebs (1713-1780) for Priory Records. For Delphian, John
has recorded a premiere recital of Scottish fortepiano variations
entitled Within a Mile of Edinburgh (DCD34005) and a forthcoming
Couperin project with Lucy Carolan on the Taskin harpsichords of
the Russell Collection.
In 2003, John Kitchen becomes City Organist of Edinburgh and will
oversee the great organ of the Usher Hall.
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Kitchen has been appointed Edinburgh City Organist
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* special
announcements
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Become
a Delphian subscriber and save on new music from Scotland's classical
label!
If
you accepted our invitation to become a subscriber last month, then
you've undoubtedly opted into the cheapest CD subscriber offer in
the UK!
A
reminder for those of you in the US - $13+packing/post every two
months gets you one of Delphian's latest releases (£10+PP
in the UK).
Submit
this form to receive your invitation to subscribe to Scotland's
freshest source for vibrant classical music.
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Delphian
Records honours William Lyne with a special discount.
Bill
Lyne, the long-time administrator of the Wigmore Hall, arguably
transformed the Edwardian venue into a glittering gem of classical
music.
In
recognition of his achievement, Delphian is offering copies of Wilde
plays Chopin at the Wigmore Hall (DCD34010) at the special price
of £10+PP in the UK and $15 inclusive of postage in the US
and Canada during the months of November and December.
To
take advantage of this special offer, email sales@delphianrecords.co.uk
with your contact details and requested order.
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Wilde
Plays Chopin at the Wigmore Hall
David
Wilde, piano
DCD34010
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Scherzo
No 3 in C sharp minor, Opus 39 (excerpt)
(RealPlayer,
0.97MB)
Sample the thrill of this live recording!
*
listen
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* from the
desk of the m.d.
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Later
this month our subscribers will meet to celebrate Delphian's second
anniversary - and there is much to celebrate. Delphian's first release,
Instruments from the Russell Collection, has led to two more
projects with John Kitchen - most recently a partnership with Lucy
Carolan in a François Couperin disc to be released next summer.
I'd like, also, to take this opportunity to congratulate John in
his exciting new appointment as Edinburgh City Organist.
Polly
May and Lucy Walker's 20th Century song disc was warmly met by reviewers;
we wish Polly every success in her concert and festival appearances
as she continues to make a name for herself in contemporary song.
Next year, we'll be releasing premiere recordings of French baroque
guitar repertoire with Gordon Ferries, whose playing was amongst
that lauded on Fires of Love's Spanish Renaissance disc last year.
Spring will see the launches and promotion of Simon Smith's performance
of Macmillan keyboard works, and of Susan Hamilton's recital of
songs by Ronald Stevenson. Collaborations with the Dunedin Consort
and Concerto Caledonia are also eagerly awaited. And we are privileged
to have had the experience of working closely with David Wilde;
plans for his forthcoming Busoni/Liszt project are currently well
underway.
We
have continued to work hard promoting our artists with advertising
across the board, including a strong presence at this year's Edinburgh
International Festival. These are important steps as we aim to further
improve our distribution.
Small achievements such as these are in contrast to what's taking
place in the recording industry as a whole. The statistics regularly
make front page news - both about record sales and the general decline
of musical knowledge in the youth of today. Might such news only
serve to feed a backlash? It is to be hoped that Norman Lebrecht's
predictions about the smaller independents of the industry are correct:
"There may be a future for making classical records, but it
lies within a cottage industry of owner-operated labels and internet
communications. The giants are foredoomed. Tomorrow belongs to the
minnows and the start-ups."
-PB
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website
contact
us
©2002 Delphian Records Ltd
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